Monday, April 20, 2009
Thursday, March 5, 2009
Custom Fittings
Kong's Kosmo
For many of my instruments I also create fittings that reflect the chosen theme. These pegs and tailpiece are to be used in a violin with the cosmos as its thematic soul. First I inlaid the crystals, then incised the designs. Next I carefully pressed gold leaf into the contours. As a protective coating for the delicate gold leaf, I filled in the remaining design depressions with clear epoxy varnish. This should keep the decoration intact over many years and thousands of tunings.
Friday, January 23, 2009
There is a rainbow in all our lives


As I was driving home a large rainbow suddenly appeared. Then it morphed into a double-bow.
It disappeared only to reform minutes later over a perfect little peak to the north.
I thought it was gone, but when I came home the rainbow had landed on Heart's Ease, a viola.
Maybe all this is just a post script to the magical inauguration we as a whole country just experienced.
Thursday, November 13, 2008
Tuesday, October 14, 2008
The Fight Against Uniformity
These external, and in my case, internal touches don't influence the sound, but they do help to annouce the instrument as an individual in tone as well.
Thursday, August 28, 2008
Tap Tones for Lester Kong's Kosmos
This entry shows the most difficult part of violin making and also where the elusive soul of the instrument is created. In the photo I am holding the violin top at a node and then tapping the center of the instrument with my right hand to produce a "tap tone". The tap tone should be clear and bell-like in both top and back. I like to keep the tap tones about one whole step apart.
Friday, August 15, 2008
Merlin visits from the hereafter to try out Merlin, the viola
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